If I didn’t know better, I would think I had tempted
fate. The same day I wrote my Winnie
the Pooh chapter dealing with the bitter-sweetness of growing up, I received
the phone call no one ever wants to get: my dad was hospitalized after a
massive heart attack. Both his father and his grandfather died young from
massive heart attacks; with my dad nine years younger than his father was when
he passed away, I irrationally thought I was somehow guaranteed nine more years
with him before I really had to worry.
Less than 48 hours after writing that saying goodbye to
childhood innocence is optional, I had to do just that. I had to grow up, board
a plane, and fly home to bury my father. I set foot in 10 states while flying there,
helping to move my mom back to Oklahoma, and flying home. I’m now fairly
certain there’s a Jacksonville in every state (after researching this I discovered
it wasn’t true, but there’s probably a Jacksonville in every state we drove
through. However, I’m too lazy to research that, so it’s just speculation).
There are many difficult apects about losing a parent, whether
it is unexpectedly or not. I was fortunate enough that my parents were still
married—in fact, their 30 year wedding anniversary would have been just one
month after my dad passed away. Because of this, having two parents was a simple
fact of life for me. The sky is blue, the grass is green and I had two parents.
The world was well and balanced, and since April 16th my world has
felt unwell and unbalanced. I keep saying things like, “my parents’ house” and “my
parents’ car”. Now I have to say “my mom’s house” and “my mom’s car:” It’s a small
thing, but it’s a huge adjustment to make when I’ve been saying their names
together for 24 years.
When I did travel, which wasn’t frequently, my dad wanted
my flight numbers. My sister, who travels monthly for work, always forwarded
her itinerary to our parents so they would know if her flights were on time and
she was safe. On my day-long journey from Alaska to Florida to join my family,
I looked at my flight numbers and had opened my phone to call my dad and tell
him when I remembered he wasn’t there, that his absence was the reason I was
traveling at all.
There are hundreds of tiny adjustments you have to make
in your thought processes and actions, like not picking up the phone to call him
anymore. But there are also things you don’t even think about. For instance,
when watching The Rescuers Down Under,
the little boy reveals early on that his father is gone—as is the giant golden
eagle’s husband, rendering their eggs fatherless.
James’ first comment on the movie was, “Thanks, Disney,”
since I was trying to escape into animation and forget, for at least a little
while, the loss I am dealing with. Before I even resumed my project, I realized
that Mufasa’s death in The Lion King
would hold an entire new meaning for me. Although that part of TLK may be more
difficult, there’s a line from Rafiki and an entire new song with the same message
in the Broadway adaptation: “he lives in you.” This is both a condolence and it
makes me a bit sadder; on one hand, my dad is never truly gone because my
sister and I are so like him. Yet on the other hand, it’s a reminder that he
isn’t here anymore. I’m not sad for him; I know he’s in a better place. Rather,
I’m sad for me. I keep realizing all the life events he’s going to miss, and
they hit me suddenly and randomly. I’m most sad for the grandchildren he will
never hold, the stories that I’ll have to tell them on his behalf.
The hardest part for me is recognizing that life goes on,
and that he would want me to resume my life and not spend my days crying
constantly, completely consumed by loss. Because I have a strong faith, I know
he is in a better place. Yet it’s still difficult to go through the motions of
everyday life, pretending everything is okay and my world hasn’t just
permanently changed. Some days I get so caught up in the façade of living life
like I did before April 16th that I forget, even if just for a
moment, that he’s gone. Just as suddenly, I remember, and I feel as though I’ve
been kicked in the gut.
I was very happy living in Denial-ville until the night
of the visitation. Since we were having a closed casket funeral (neither my
mom, sister nor I find that looking at the body provides any kind of
resolution; we prefer to remember him alive and laughing rather than frowning
in a casket), I wasn’t expecting the coffin to be in the chapel until the
following day. When I walked into the chapel, I saw the Ford-blue casket and my
knees instantly felt weak. My dad’s photo sat atop it, and the photo slideshow
played on a loop for the entire two hours. I essentially felt as if my little
town of Denial had been put through a washer and dryer on the
intense-super-muddy cycle. It was much harder to pretend the whole situation
wasn’t happening after that.
I thought when I returned home I could go back and
rebuild my happy village of Denial. Then I hear a song on the radio or pass a
photo I have up of the family, and it hits me again. The tears are unstoppable
and the feeling of heavy stones in my stomach won’t go away. I’ve dealt with
death a number of times before, but it’s never been like this. I feel as if
part of me has been amputated; I still feel itches and tickles on the missing
part, but it’s just a phantom limb—it isn’t there anymore.
So it is with a heavy heart that I venture back into the
wonderful world of Disney animation. I need the uplifting happy endings more so
than ever before. My Disney glasses are unhinged and in need of repair, but in
time I believe they can be fixed. In time, my pain will lessen. In the
meantime, Disney will help me through it.
The Rescuers Down
Under didn’t really help all that much. It was released in 1990, and I
remember loving it as a kid. I loved the little mice dressed in clothing and
the fact that the kidnapped kids could talk to animals—and they talked back!
That was the best. But while I liked it, and can clearly picture that VHS
cover, it just didn’t stay with me that much. I liked it, sure. It made me
laugh, but it didn’t quite make me cry. I felt a bit ripped off. Cody spends so
much time with the poached-but-still-alive animals, yet when McCleach dies, he
doesn’t go rescue them. James justified that, saying the little lizard used his
tail to get out once, so he could do it again.
The part I really didn’t like was that poor Cody’s mom
was told her son was dead, and it never shows their reconciliation. We know he’s
going home, but after being put through the ringer thinking he’s dead, when
should get to see his mom finally. After all, we never see her face. Are the
non-villain adults not important enough to show their faces? How can we spend
so much time on McCleach and ignore the rangers and the mom? We should at least
see their faces.
Also, I know why the little boy is named Cody. I’m pretty
sure 80% of the boys in my 1990 classes were named Cody. It was a super popular
name in the late 80’s, and I thought it was hilarious that Disney used such a
popular name for a protagonist.
This is the only animated sequel to hit theatres before the
Disney-Pixar merger. It did so terribly, it’s the main reason why there are so
many terrible direct-to-video sequels: they realized they didn’t have to work hard
enough to please a theatre audience, just enough to please people who already
liked the characters and would rent or buy the movie based on that alone. Thanks
for that, guys (sarcasm here. I don’t like direct to video sequels, excepting The Lion King 1 ½ and The Lion King 2).
The animators also tried out CGI and digital renderings
on this film. Unfortunately, they didn’t really like them and didn’t put the
time, effort or financial backing into exploring them. Thankfully for us, Pixar
did. The combination of traditional animation with CGI isn’t very well blended;
you can easily spot the scenes that are CGI.
I’m
looking forward to watching the original Rescuers
in a few movies, since it’s been a good twenty years since I’ve seen it. Perhaps
then I’ll appreciate this sequel a little more. Luckily The Little Mermaid is up next, which was a childhood favorite and is
still near the top of my favorite animated list today. Once the whole project
is complete, I may have to update that list.
I can't really say much except agree that your father is in a better place. I also pray that you can find healing in your journey through Disney. I know that many times I have found comfort in Disney and you can too.
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