As odd as it is, the main thing I remembered about The Rescuers was the alligators. I
couldn’t remember what they did or why they were important, but I clearly
remembered their presence. The funny thing is that in the sequel, The Rescuers Down Under, alligators/crocodiles
play a large part in the plot as well. Those large reptiles are always
thwarting our heroes and helping the villains. After living in Florida for four
years and only seeing alligators in the zoo, I can’t really vouch for their
negative representation in Disney films (except Princess and the Frog, in which one alligator in particular breaks
stereotypes). Then again, it’s not like they didn’t earn their reputation as
vicious predators.
There are many interesting occurrences associates with
this film. It did exceptionally well at the box office, but was also the final
film of Disney’s ‘Golden Age’ of animation. The
Rescuers is also the last Oscar-nominated animated film until The Little Mermaid, which was released
twelve years later and signaled the beginning of the Disney Renaissance that children
of the late 80’s and early 90’s are most familiar with. It was the first Disney
film to inspire a sequel, as well. The technology of animation also improved
with this film; the xerography process was altered to give the film a cleaner
look, and more colors were added. For instance, Miss Bianca is outlined in
purple instead of black. Though this is a small detail to the viewer, it has a
big effect on the film as a whole as well as on the evolution of animation
technology.
There are an amazing number of similarities between the
villain of this film and that of another—101
Dalmatians. Madame Medusa was actually based on Cruella DeVil; at one
point, the animators considered having the villain be Cruella. They even drive
the same car; both of them drive it manically, of course.
I have to say, I really appreciate that Bernard works his
way up into the Rescue Aid Society from being a janitor by being a gentleman.
His superstitious-ness is cute, but his concern for Miss Bianca’s safety—and his
bravery in speaking up about it—signify his strong character. It’s also reassuring
to see a strong female lead; she isn’t afraid to speak up for herself or risk
her own safety in order to save someone else.
Although I look forward to completing my (re)Discovering
Disney project, I’m also a little sad. I have only five films left, and I find
myself watching them a little slower, trying to savor them more. I know The Fox and the Hound will make me sad
for days, but the way I see everything has changed because of my father’s death.
Moments that didn’t use to be bittersweet are now. For instance, The Little Mermaid is next. I’m already
thinking about the end of the film, when Ariel says goodbye to her family after
her wedding, as she’s going to live on land instead of in the sea. I know now
how hard it is to live far from your family; I feel it more now, because my
father is in heaven. I can’t call him, or see him when I visit. Instead I’ll have
one more person upon whose grave I’ll place flowers. I have a lot of happy memories,
but I have more things that I never got to say. Now I’m left with this heart full
of words that I can only write in a letter he’ll never read or say into the
wind, hoping my words are heard from above. My life will forever be different.
Change
is difficult as it is, but things ending have always been the hardest for me to
cope with. And now everything seems to be ending at once. My father’s life has
ended, my project of the past eight months is coming to a close, and the school
year is almost over. Next year a new wave of ninth graders will walk into my
classroom door, with new quirks and interests and life will be full of new
beginnings. Like Mufasa said, it’s the Circle of Life. We’re all moving, life
is constantly changing. I’m ready for new beginnings, but new endings are
always hard on my heart. Instead of thinking of these endings, I’ll try to
think like The Rescuers heroine,
Penny. Focus on the new beginnings in life, on being kind and sticking up for
those you love—even if those you love happen to be mice and a teddy bear. Love
is love, regardless of the recipient.
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